Who's on first?
Great comedians of the 1930's, 40's, and 50's ending with a favorite comedy routine about baseball
Great comedians of the 1930's, 40's, and 50's ending with a favorite comedy routine about baseball
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This story recalls the figure of the Fiddler in the opening and closing scenes of the film, setting up the idea that our existence is precarious, like a Fiddler on the roof, many decisions we make in life -- what to do, whom to marry, how to raise children, and so forth -- are very difficult and consequential.
This story begins by framing what we mean by 'miracle.' It reminds us that sometimes we refer to something extraordinary that causes wonder and astonishment. Miracles can be amazing, and even inexplicable by normal standards. And yet, a miracle need not refer to a super-natural event; in fact, miracles can be everyday occurrences with extraordinary meaning or significance. Falling in love, for example, is not uncommon. And yet, it can change our lives.
In the story of Tzeitel and Motel in The Fiddler on the Roof, it was a miracle they were able to be married at all.
The narrative in this story helps participants recall the basic plot of "Fiddler on the Roof." We're reintroduced to Tevye the dairyman and the character of the Fiddler himself. Then we meet Tevye's daughters who are all seeking partners. And we remember, experiencing a wide range of emotions, as each daughter struggles to find their way as individuals, respecting more (or less) the norms and expectations of their family and community.
It ends with the song called "Anatevka" sung by villagers as they pack their things and leave their village and traditions behind.
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